Although
watching TV is something most of us do every day, analysing a TV programme
is as complex a process as analysing a written text. TV has its own
language, a series of building blocks, the visual equivalent to words,
which are connected together for an audience to 'read'. The creators
of a TV programme, or a TV commercial, use a series of codes
in order to represent reality in the two dimensional form of television.
For any sequence of moving images you need to consider the following
Narrative
codes |
The
way in which the story is put together, and how the sequence
you are analysing moves the story along.
|
Technical
codes |
How
the images are put together - lighting, camera
angles, shot composition, editing, any special
effects
|
Representational
codes |
The
thinking behind the images - how settings (location, colour),
characters, costumes, props etc (the re-presentation of reality)
create meaning
|
Audio
codes |
The
way in which sound adds to the images through dialogue, music
and sound effects.
|
It
is only by combining all these elements that we create a story - try
watching TV with the sound off, or imagining that the characters were
all dressed in identical, bland clothes. Nothing you ever see onscreen
is accidental: the makers of TV programmes have total control over
what is known as the mise-en-scène (a French phrase
meaning 'the things in the picture') and take great care over the
contents of every shot.
When
analysing TV, it is important to think about the individual contributions
of the different members of the creative team. The director has overseen
the whole operation, and is the one who tells the actors what to do,
but you also need to think about the quality of the contribution of
the following:
Scriptwriter |
A
script is a set of instructions, including not only dialogue,
but details of action that must be interpreted by the director.
The instructions might be as simple as "they fight"
to cover a four minute sequence. The story belongs to the
scriptwriter, as well as what the characters say. TV dramas,
especially series, are usually written by a team of scriptwriters
|
Director
Of Photography/ Cinematographer |
This
is the person ultimately responsible for recording a scene,
and decisions about camera lenses, lighting and depth of focus
belong to them. They work very closely with the director,
both on set and during the planning/storyboarding process
|
|
Sets
and costumes are vital to the overall atmosphere of a tv programme.
|
Characters
All
stories are told by way of characters' actions, so it is important
to consider what actors do in order to create those characters. Never
forget how much costume creates character, either - we tend to judge
people by what they wear in real life as well as in the movies. For
instance, if you see someone in police uniform you instantly assume
they are a member of the police force whose job it is to uphold law
and order. Costumes can be more subtle than that, but they still give
audiences a lot of instant information about the status (expensively
dressed? wearing ragged clothes?), age and personality (are they flamboyant?
shy?) of a character.
Stereotypes
In
TV programmes, as in other media, characters may appear onscreen for
only a couple of minutes, and it is not important that they have a
fully developed personality. The characters may be created as a stereotype,
which is a kind of code, prearranged with the audience. This means
that if a character is given certain attributes, the audience will
recognise them as being of a certain type, and judge them accordingly.
They will not have to do any more working in interpreting the character.
Stereotypes are essentially assumptions that are made about a person
or group's character or attributes, based on a general image of what
a particular group of people is like. Here are some examples of stereotypes:
Character
|
What
you assume about them |
Evil
gweilo in a Hong Kong action movie |
Despite
their dastardly plans, they will eventually be defeated by
the Chinese heroes
|
Teenagers
alone in the woods at the beginning of a horror film |
Someone
is going to kill them, one by one!
|
An
old man who is the last surviving member of an ancient tribe
in an episode of The X-Files |
He
knows something about aliens
|
Good
or bad?
Although
using stereotypes saves a lot of explanation and onscreen time, some
people think this is a lazy way of creating character. Others would
go so far as to say that stereotypes are dangerous, as they encourage
us to think large groups of people are all the same, and often have
the same bad characteristics.
- How
would you feel if someone judged you as a stereotype and not an
individual?
- Do
you think non-fiction TV programmes ever use stereotypes?
- How
much do you think TV commercials use stereotypes?
Stars
Stars
are performers who are more famous than the roles they play. A TV
star brings the same set of qualities to every part they take, and
audiences expect them to be nearly the same in each TV programme they
appear in. These qualities are known as their star persona.
TV stars don't have to be actors, although most are, they can be chefs,
presenters, chat-show hosts or even participants in commercials or
gameshows who are widely recognised.
TV
stars often appear in long-running soap operas or comedy series, and
may have been playing the same part for many years. Fans often confuse
them with the character they play, which can make life very difficult
for an actor, especially if they want to leave that role behind and
try something different. They may find this impossible as they have
become typecast (ie they can't play anything other than variations
of the same role, not because they are a bad actor, but because audiences
won't believe in them).
Stars
are very important to the producers of TV programmes because they
are popular with audiences and can guarantee that people will watch
- increasing viewing figures. Check out some of these sites dedicated
to TV stars to see what sort of fans they attract:
Genre
TV
programmes are normally categorised first by whether they are fiction
or non-fiction and then into genre, such as soap opera, historical
drama, police series, sitcom, thriller, science fiction etc for fiction
and news, documentary, chat show etc for non-fiction. This helps audiences
in choosing and understanding a TV programme as they will have certain
ideas about what you would expect from it. Some TV programmes mix
up the different conventions and are described as 'cross-genre'.
- How
would you categorise the TV programme you are analysing?
- Which
category do you think 'reality TV' (such as Survivor) fits into?
Browse
through some 'by genre' reviews of TV shows here.