| Account |
The
relationship between agency and client - an account may cover one campaign
or many years of advertising, and may include all the products marketed
by a client or just one |
| Advertorial |
An
paid-for advertisement which includes editorial content; normally identified
in a print magazine with the word "Advertisement" printed
as a head across the top of the page to distinguish it from genuine
(in theory unbiased) editorial content |
| Agency |
The
organisation that takes care of advertising for clients. |
| Anchorage |
The
'pinning down of meaning' that a caption provides when coupled with an
ambiguous image - or vice versa |
| Animatic |
A
filmed storyboard, where stills or short extracts are put together as
a rough edit to show the client prior to the filming and editing of a
full quality (and therefore expensive) TVC |
| Benefits |
The
features of a product that are highlighted to customers in ads. There
are only two real benefits: better and cheaper. An ad may highlight
the supposed emotional benefits of owning a product (eg you'll be happier,
more attractive) |
| Billboard |
Space
for outdoor advertising |
| Brand |
See
definition on main page |
| Brief |
The
outline of a campaign's purpose given to the agency by the client. The
brief is then developed further by the agency for internal use |
| Campaign |
A
time-limited set of ads - campaigns may run across different media, and
for one month or ten years, but can be categorised together as they are
the execution of a central idea |
| Client |
The
organisation who pays the agency |
| Coverage |
calculated
in percentages, the proportion of a target audience who has the opportunity
to see an ad once |
| Creative |
The
creative ideas behind an ad, or the person/team who comes up with them
|
| Classified |
advertising
which does not used pictures, and is generally not produced by an agency.
A good example of how vendors can communicate directly with buyers |
| Copy |
The
text created for an ad |
| Demographics |
Describing
an audience by age, gender, ethnicity, location - ie the facts about them
|
| Focus
Groups |
Small,
select groups representing a target audience who are paid to answer questions
at the behest of a market research organisation |
| Frequency |
The
number of times an audience get the opportunity to see an ad |
| Pitch |
The
communication by the agency of a campaign strategy to the client |
| Penetration |
The
proportion of a potential market that is actually using a particular brand
|
| Product
Placement |
The
practice of paying for a branded product to be used by a character in
a movie - eg James Bond driving a BMW Z3 |
| Product
Positioning |
Establishing
the market niche of a product - which may not be as the
brand leader - and advertising to the appropriate segment of the audience |
| Propaganda |
The
deliberate manipulation of information in order to achieve certain objectives
- NB this is RARELY used in connection with modern advertising |
| Psychographics |
Describing
an audience by their shared psychological profile (likes, dislikes etc)
|
| Reach |
Similar
to coverage |
| Slogan |
Line
of copy which encapsulates the campaign strategy |
| Space |
The
pages in a magazine or newspaper which can be sold (as double spreads,
foldouts, full, half and quarter pages) to advertisers |
| USP< |
Unique Selling
Proposition/point - a highlighted benefit of a product which makes it
stand out from all rival brands. |